How Branding rescued the
Japanese condom from extinction
by
David Kilburn
The
Japanese are rarely shy about bodily functions
when it comes to advertising. There are TV spots
for hemorrhoid remedies, feminine hygiene, and
adult diapers for the incontinent all of which
provide detailed descriptions of the problems
their sponsors products can solve. But
until 1994, ads for condoms were a rarity. TV
stations wouldnt accept condom commercials,
while newspapers would only take small space ads
provided the word condom was not
mentioned. So hard was it to promote the products
that Fuji Latex, the second largest manufacturer,
designed their Tokyo HQ with a tower in the shape
of a giant inflated condom which they painted a
life-like orange-brown. Selling the product was also
a discreet business. Until the early 90s
about half the sales went through pharmacies
while most of the rest were sold door to door.
Condom sales ladies, dubbed Mrs.
Skinless after the leading brand, aimed to
sell a couple of one-gross packs to the young
housewives they visited.
With no
competition from the pill (outlawed in Japan till
this July) [the ban is not now expected to be
lifted in 1997] , the future of the condom
market seemed assured, even though population
growth was declining. However after peaking with
a value of Yen 90 Billion retail in 1983, sales
began to fall away slowly. By 1993, the market
was only 80% of its former size and still
shrinking. Okamoto Industries, the leading maker,
called in the Dentsu PR Center to help reverse
the trend. Dentsu recruited Reiko Murakami, a
popular young TV for a magazine campaign themed
"Its cool to keep a condom
handy." Interestingly, the implicit
assumption was that birth control was a
womans responsibility. The campaign caused
a sensation because it was the fist of its kind.
Though there was some controversy, growing
consciousness of AIDS had made it socially
acceptable to refer to the products by name.
About the
same time, Fuji Latex introduced designer condoms
"Michiko Koshinos London Brand."
The following year, 1994, Okamoto launched
Benetton Condoms under a license agreement with
the Italian clothing firm. Magazine ads
proclaimed these were the smallest item of
clothing Benetton made. "These proved so
successful that they threatened to eclipse
Okamotos leading brand,
"Skinless," and so we developed another
campaign using Reiko Murakami and her husband in
full page newspaper and magazine ads to support
"Skinless,"" says Mr. Kenji Hanaue
Okamotos account manager at the Dentsu PR
Center. "Let us get intimate, like a married
couple should," said the couple with gusto
in a print campaign. The rather strange copy owed
much to the input of researchers who had decided
that sexless marriages were becoming the norm in
Japan because working couples were giving up
having regular sex in their thirties.
"The
success of Benetton condoms showed that strong
branding was the way to develop the market. But
the licensing fee arrangement means the brand is
not as profitable as Okamoto would like. And so
we have been working on the development of new
brands," says Hanaue. Last November, with
Dentsus help, Okamoto launched
"Cologne-Dom" and "Clean-Dom"
a branded duet in perfumed and plain versions.
These are aimed firmly at the lat teens and early
twenties. "She chooses, I buy" say ads
showing a hip young couple surveying shelves full
of condoms in a convenience store.
Other
makers have also spotted the power of branding.
Sagami Rubber who hold 15% of the market launched
"Enrico Coveri Condoms" last year while
Fuji Latex are hoping their new
"X-Japan" brand will appeal to those
who like Rock Music and the band of the same name
and build the companys 20% overall share.
But
Okamotos initiative in advertising has put
them on a growth track. In a now-static market,
Okamoto have seen their share rise from 53% to
55%. And when Japanese consumers are asked to
name a condom 38% say Benetton which has higher
awareness than any other brand.
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