NEGOTIATION, NOTICING, AND THE ROLE OF SELECTIVE
CROSSLINGUAL STRATEGIES IN FOREIGN LANGUAGE CLASSROOMS MA in TEFL thesis, William R. Pellowe, 1998 |
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Chapter 3:
CODE-SWITCHING: STUDENTS' L1 USE IN THE CLASSROOM
Comments | ||
A: |
Do you think you'll like the same kind of music when you're older? | (cue question read from paper) |
B: |
Soo omoiwanai'tte do iu? [How do you say "I don't think so"?] | translation appeal (off record) |
A: |
"I don't think so." | cited (off record) |
B: |
I don't think so. | recited (on record) |
A: |
Why? | on-record |
C:
What kind of music do you like? D:
I like classical music. C:
Who's your favorite...[trails off] D:
Composer. C:
I never heard composer. D:
No, you asked me, "composer". C:
Eh? D:
You said, "Who's your favorite...." I said, "composer". Composer means [Japanese word] in Japanese. So your question in Japanese is [Japanese sentence], right? C:
Uh, yes. D:
So that question in English is, "Who's your favorite composer?" C:
Composer? D:
Right. C:
Who's your favorite composer?
G: I can't hear, I can't understand vocals's voice.
H: Do you dislike, uh, tatoiba [for example] for example, do you dislike
X-Japan?
G: I've never heard their music.
J: Could you tell me about them? I don't know about them very much. I heard Sawaka is very nice, but I don't know who is Sawaka. K: Sawaka is vocalist. J: How many people are|
| FourK: J: Sawaka and...who?
NEGOTIATION, NOTICING, AND THE ROLE OF SELECTIVE
CROSSLINGUAL STRATEGIES IN FOREIGN LANGUAGE CLASSROOMS MA in TEFL thesis, William R. Pellowe, 1998 |
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